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Outlaw Jesse James is rumored to be the 'fastest gun in the West'. An eager recruit into James' notorious gang, Robert Ford eventually grows jealous of the famed outlaw and, when Robert and his brother sense an opportunity to kill James, their murderous...
The cinematography is mesmerising. I was actually distracted from the plot at some points admiring the photography and the shot compositions.
Lethargic and ponderous, but aching, much like Pitt's depiction of the main character, shifting between bouts of ugliness and resigned depression in a kind of mania that only shatters the specter of his own cult. Casey Affleck is equally amazing as the nobody pathetically trying to set his legacy in stone, in a kind of rageful sorrow with quivering lip, and only to end up re-enacting his fate as a kind of Greek tragedy. Add in some cold landscapes, melancholic music, and you have a pretty damn good film, though it does indeed drag at times from a foregone conclusion (though I enjoyed the narration), and most of the rest of the cast often seem to be foils to be gradually, suddenly picked off, so this falls just short of a grand recommendation - but then again, that's what this 'Western as life metaphor' seeks to do - crush the egos of men under the hypocritical steamroller of cultural legend. Hell, the scenes in the theater and bar at the conclusion could not serve as a more apt metaphor. This film isn't about where you end up, but how you get there, so adjust expectations to enjoy the journey.
Some of the most careful, poetic cinematography you will ever see and a truly remarkable tale to boot.
8.4% of the viewers favorited this title, 1.3% disliked it
Currently in 6 official lists, but has been in 12